I like my guitar music played well with passion and style – just like this offering. Featuring folk, blues and country styles, Marisa shows her fabulous picking skills and crafts an album of single take wonders.
Favorite track: Down Off the Mountain.
Marisa Anderson's joyous virtuoso delta blues/bluegrass influenced fingerpicking is mesmerizing. I can't help but wonder how these rather brief solo instrumentals might sound extended and expanded.
Mercury is the brilliant new album of acoustic and electric whirlwinds from Portland, Ore., guitarist Marisa Anderson. Through its 16 tracks, Anderson unfolds as a master of stylistic swivels, pushing from steady-handed blues staggers to open-road pontifications, from understated ragas to psychedelic meditations with a deliberate quality that belies the record’s title. She’s a fleet, dexterous picker with a broad sense of what her guitar can do...Pitchfork.com May 10 2013
THREE THINGS will happen when you listen to Marisa Anderson's Mercury: you'll instantly get used to it, you'll never get tired of it, and you'll be flooded by your own personal filmstrip of dusty roads, rusty trains, craggy mountains, and weathered faces. -Portland Mercury June 2013
Applying classical technique to a boundless creative imagination and a deep reverence for American folk, blues and country music, Marisa Anderson’s guitar playing is fluid, emotional, dexterous and original. Signal to Noise magazine calls Anderson's guitar work "Utterly fabulous", and Time Out London referred to her playing as "Stunning...haunting and evocative".
On 'Mercury', out June 5 on Mississippi Records, Anderson channels the history of the guitar and stretches the boundaries of tradition. 'Mercury' picks up where Anderson's acclaimed record 'The Golden Hour' leaves off, featuring sixteen compositions for solo guitar and lap steel, recorded live in single takes, with no overdubs, looping or electronic layering.
In the past two years, Anderson’s music has landed her festival appearances in Europe and the United States and opening slots for artists including Sharon Van Etten, Daniel Higgs and Thao and Mirah. Before landing in Portland in the late nineties, Anderson dropped out of college at age nineteen to walk across the United States and didn’t stop traveling for fifteen years. “Mercury” is a direct result of Anderson’s peripatetic existence, reflecting years of living in cars, tents and buses, traveling to Mexico with a circus, walking, hitchhiking and playing guitar.
released June 5, 2013
Marisa Anderson-guitar & lap steel
Recorded at the Parts & Service Department, El Rancho, Portland Oregon
Mastered by Timothy Stollenwerk at Stereophonic Mastering, Portland Oregon
Marisa Anderson channels the history of the guitar and stretches the boundaries of tradition. Her playing is fluid,
emotional, and masterful, featuring compositions and improvisations that re-imagine the landscape of American music. Her work applies elements of minimalism, electronic music, drone and 20th century classical music to compositions based on blues, jazz, gospel and country music....more
Absolutely astounding solo acoustic guitar. Bachman is an absolute genius from the first minute, and 'Won't You Cross Over to That Other Side' has to be one of the most impressive examples of guitar virtuosity I've ever heard, and the rest of the record just backs up that virtuosity. Levrikon